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As an art historian, I am deeply honored to hold the first lectureship in Persian Studies at the University of Geneva, funded by the Mohammad Mossadegh Foundation (as of August 2024). In this role, I aim to promote Geneva’s rich yet underexplored collections of Persian art, nurture the next generation of MA students, and elevate the city’s status as a key European center for Persian Studies. I look forward to the collaborative opportunities this position will foster and consider the AIS biennials an ideal platform for exchanging ideas, reconnecting with colleagues, and launching new projects.
I earned my PhD from Université d’Aix-Marseille (in France) in December 2014. My research focuses on early modern and modern Persian painting, as well as the collecting of Persian art in 20th-century France. I am the author of ʿAli Qoli Jebādār et l’occidentalisme safavide: une étude sur les peintures dites farangi sāzi, leurs milieux et commanditaires sous Shāh Soleimān (Brill, 2018) and have published several articles on painting production, female patronage, and 17th-century Isfahani society. More recently, in August 2021, I published Shâhnâmeh de Ferdowsi: Le Livre des Rois persans (Pocket and Revue des Deux Mondes), which examines the enduring significance of Ferdowsi’s Shahnama in Persian art and its resonance with Jules Mohl’s French translation.
In 2023, I had the privilege of guest-editing a special issue of Manazir Journal titled “The Idea of the Just Ruler in Persianate Art and Material Culture” (5/2023). This issue explored the role of art and architecture in shaping the image of just rulers in Persianate societies, spanning Central Asia to Eastern Anatolia between the 14th and 19th centuries. Notably, the issue featured contributions from four scholars based in Iran, among eight articles.
During the 2023–2024 academic year, I served as a visiting professor at the École du Louvre in Paris, where I taught courses on Iranian, Mughal, and Ottoman art from the 16th to 19th centuries. Additionally, I am a Soudavar Memorial Foundation alumnus, having previously held a lectureship on the art and architecture of the Three Gunpowder Empires at the University of Geneva from 2019 to 2021. Since October 2021, with the support of various institutions, including the Soudavar Memorial Foundation, I have been researching the Jean Pozzi PersianIslamic Collection in Geneva and French museums. This research will form the basis of my second monograph and is anticipated to lead to my Habilitation à Diriger des Recherches (HdR) in France.
I am honored by the nomination to the AIS Council. If elected, I am committed to amplifying the voices and contributions of scholars in Iran, especially emerging and earlycareer researchers. I believe the AIS Journal offers an excellent platform to showcase their work, and I will work to encourage greater participation from these scholars in AIS biennials. These meetings have been invaluable in shaping my academic path, beginning with my first participation in Vienna in 2016. A panel I chaired at the first AIS online conference in 2023 introduced me to several exceptional young scholars from Iran, with whom I am now coorganizing an international hybrid event set for February 2025. Finally, as a Franco-Iranian scholar teaching in Geneva, I will do my best to connect Francophone scholars and students with the AIS community worldwide